Society
Haq
Vidyun Sabhaney’s graphic essay reports on the women farmers protesting at Delhi’s borders
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Living on the Edge
Ayub Shikalgar, a swashbuckling first responder and among the last of India’s denotified tribal knife shapers, is negotiating change in both his lines of work. Ranjita Ganesan tells his story
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The Golden Age
Once, Urdu film magazines were plentiful, each with loyal readerships. But Shama was the best, writes Yasir Abbasi, as he traces the demise of a culture
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Fine Line
Designer David Abraham, of fashion label Abraham & Thakore, on the spare, clear beauty afforded by black-and-white “reductivism”
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The Moving Image
Cinema can show us what our eyes do not see, says Rashmi Sawhney. Even the sturdy fantasies of the eternally mobile, often homeless migrant
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Hearth of Darkness
What does the end of time look like? Ronny Sen’s photographs take an unflinching look at apocalypse now
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Serving Their Purpose
How Indian filmmakers depict servants is a comment on their masters, argues Trisha Gupta
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To the Madness Born
Sri Lankans thrive on their loony togetherness and divine discontent, says Ashok Ferrey. Why be normal when mad is more fun?
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Transcendental Medication
Buddhism has made a comeback in urban India because it addresses our current needs, observes Mona Joshi
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