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The Indian Quarterly – A Literary & Cultural Magazine – Essays

Essays

The Limin

The Limin

By Arshia Sattar 0

The forest, in our epics, is not the peaceful site of vanaprastha or even merely the dark and dangerous unknown. It is not otherworldly, but a place of transition—and transgression, writes Arshia Sattar

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Très Noir

Très Noir

By Rashmi Sawhney 2

The personal life of the Expressionist master, Fritz Lang, was as tortured and ambivalent as his films. Rashmi Sawhney explores the dense greyness behind the scenes

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Are We Dead?

Are We Dead?

By Shoili Kanungo 0

Shoili Kanungo's graphic piece on the looming—or are they present?—perils of consumerism

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The Art of Remembering

The Art of Remembering

By Sohini Chattopadhyay 3

Affected by the work of an artist on a quest to memorialise individual victims of the Nazis, Sohini Chattopadhyay wonders why India prefers to brush its traumas into the dustpan of history

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The Free Radical

The Free Radical

By Michael Snyder 1

Bengali revolutionary MN Roy fled to Mexico in 1917, where he founded the first Communist Party outside Russia. A century later, Michael Snyder finds Roy’s spirit lives on in a nightclub that bears his name

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A Sensuous Geometry

A Sensuous Geometry

By Arundhathi Subramaniam 0

A chance encounter leads a poet to an epiphany. Arundhathi Subramaniam on how she rediscovered Bharatanatyam, a lost childhood love

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Disarmament

Disarmament

By Priya Kuriyan 0

Love can be fierce, brutal and unexpected, illustrates Priya Kuriyan

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Dargahs

Dargahs

By Madhavi Menon 1

A neglected tomb in Delhi holds within it a story of extraordinary passion between two men. Madhavi Menon examines Indian Sufism's ecstatic homoeroticism

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The Reader

The Reader

By Gautam Bhatia 0

A schoolgirl of fierce intelligence, determined to forge her own stubborn path through the world, Gautam Bhatia remembers his singular sister

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How the Body Remembers

How the Body Remembers

By Arshia Sattar 5

Memories of love are physical. It is our skin, writes Arshia Sattar, that recalls what it was to be touched, our hands that recall what it was to touch, and so we revive the corporeality of lost lovers

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